He noted, however that "There is nothing new about these stereophonic sound effects. Es gab neben den Kinos der Cinerama-Kette nur wenige internationale Kinos, die für die Projektion von Drei-Streifen-Filmen vorbereitet waren; zu ihnen gehörte das 1959 eröffnete (und 2002 geschlossene) Pariser „Gaumont Kinopanorama“.Insgesamt wurden neben Werbefilmen nur sieben Filme in dem Verfahren produziert.
Die fast plastische Raumtiefe der ehemaligen 3-Linsen-Projektion der Cinerama-Filme ging damit jedoch etwas verloren. The system, developed by Hazard E. Reeves, one of the Cinerama investors, played back from a full coated 35 mm magnetic film with seven tracks of sound targeting a speaker layout similar to the more modern SDDS. Die Filme „Das war der Wilde Westen“ (How the West Was Won, 1962) und „Die Wunderwelt der Gebrüder Grimm“ (Wonderful World of the Brothers Grimm, 1962) waren damals die einzigen 3-streifigen Cinerama Spielfilme mit richtiger Handlung. A five-camera version, the Waller Gunnery Trainer, was used during the Second World War.
Der Berliner Royal-Palast wurde im Herbst 2006 abgerissen, um Platz für ein Saturn-Kaufhaus zu schaffen. April bis zum 13. Venues outside the USA included the Regent Plaza cinema in Melbourne, Australia,[14] which was adapted for Cinerama in 1960 to show This is Cinerama and Seven Wonders of the World. A History of Wide Gauge Filmmaking. Das 1959 in Hamburg eröffnete Grindel-Filmtheater hatte nach einem Umbau im Jahr 1963 eine Leinwandgröße von 27×10 Meter. And Turner Entertainment (via Warner Bros.) has struck new Cinerama prints of How the West Was Won (1962) for exhibition in true Cinerama theatres around the world.
Mit mehreren Mikrofonen aufgenommener Originalton wird letztlich als Magnetfilm mit ursprünglich acht, später sechs Spuren über sechs Lautsprechergruppen im Kinosaal wiedergegeben. In: "New Movie Projection System Shown Here; Giant Wide Angle Screen Utilized." How The West Was Won (1962) stellte als erster Film die visuelle und akustische Üppigkeit des Verfahrens als Spielfilm vor. He further comments on the unreliability of "numerous websites and other resources that will tell you that Cinerama had an aspect ratio of up to 3:1.
As of 2015, the Pictureville Cinema, Seattle Cinerama, and Cinerama Dome continue to hold periodic screenings of three-projector Cinerama movies. In der Schweiz gab es ein einziges, das einstige Apollo-Cinerama beim Stauffacherplatz in Zürich (Leinwandgröße 20×9 Meter). Ferner gab es diverse „Wander-Cineramas“. The shifting displacements were perceivable at the two points where the center picture met the side pictures, resulting in what appeared to many viewers to be jittering vertical lines at one-third and two-thirds of the way across the screen as the two touching images constantly moved around relative to each other. Three-strip Cinerama did not use anamorphic lenses, although two of the systems used to produce the 70mm prints (Ultra Panavision 70 and Super Technirama 70) did employ anamorphics. It has been suggested[4] that Cinerama could have been an intentional anagram of the word American; but an online posting by Dick Babish, describing the meeting at which it was named, says that this is "purely accidental, however delightful.
For other uses, see Cinerama (disambiguation). Optical limitations with the design of the camera itself meant that if distant scenes joined perfectly, closer objects did not (parallax error). Dieser Artikel beschreibt das Filmformat, für die britische Pop-Band siehe, Beschreibung des Systems WIDESCREEN MUSEUM, https://de.wikipedia.org/w/index.php?title=Cinerama&oldid=198903070, „Creative Commons Attribution/Share Alike“, Berlin: Capitol (erstes Cinerama Theater in Deutschland – Premiere von ", Braunschweig: Kaiserhof (Leinwandgröße 13,6×6,2 Meter) (Cinemiracle)*, Bremen: Regina (Leinwandgröße 20×8 Meter) (Cinemiracle)*, Düsseldorf: Tonhalle (Leinwandgröße laut Hören und Sagen 24×10 Meter) (Cinemiracle)*. The word "Cinerama" combines cinema with panorama, the origin of all the "-orama" neologisms (the word "panorama" comes from the Greek words "pan", meaning all, and "orama", which translates into that which is seen, a sight, or a spectacle). Later directors worked out where to have the actors looking to create a natural shot. The less wide but still spectacular Super Panavision 70 was used to film the Cinerama presentations Grand Prix (1966); 2001: A Space Odyssey (1968), which also featured scenes shot in Todd-AO and MCS-70); Ice Station Zebra (1968); and Krakatoa, East of Java (1969), which also featured scenes shot in Todd-AO. Alle anderen waren so genannte Travelogues (Reisebeschreibungen, teils auch mit kleinen Handlungssträngen versehen). Anfang der 1950er Jahre patentierte Fred Waller, der auch Vitarama entwickelt hatte, das Verfahren Cinerama, das nur drei 35mm-Projektoren für eine halbkreisförmige Projektion (Bildwinkel: 146° in der Breite, 55° in der Höhe) benötigte. Dabei handelte es sich allerdings nur um eine Lichtton Mono-Kopie. How the West Was Won had its World Premiere at the Casino on 1 November 1962 and ran until April 1965 after which the Casino switched to 70mm single lens Cinerama. This is Cinerama received its London premiere on 30 September 1954 at the Casino Cinerama Theatre, Old Compton Street, formerly a live theatre. Der letzte Film im Drei-Filmstreifen-Cinerama-Format war This Was Cinerama (1963). Designed by Welton Becket and Associates and completed in 1963, the Cinerama Dome was originally designed as a prototype to be used throughout the country to showcase the new Cinerama process, but only a few other Cinerama theatres were ever built. Die Bildfrequenz betrug zunächst 26 Bilder pro Sekun… Most of these conversions of existing cinemas came just as Cinerama was switching to single lens and thus had short lives as three strip venues before switching to 70mm. The Pacific Cinerama Dome – Hollywood’s Most Uniquely Shaped Theatre July 30, 2019, 1 Comment Over the weekend Patrick and I went to see the highly anticipated Quentin Tarantino film Once Upon a Time…in Hollywood, but we chose to see it at the iconic Cinerama Dome, which is used, albeit extremely briefly, in the film. amzn_assoc_ad_type The theaters were designed by architect Richard L. Crowther of Denver, a Fellow of the American Institute of Architects.
Rising costs of making three-camera widescreen films caused Cinerama to stop making such films in their original form shortly after the first release of How the West Was Won. A technical review by Waldemar Kaempffert published in The New York Times on the same day hailed the system. ISSN: 1610-420X. [citation needed], In addition to the visual impact of the image, Cinerama was one of the first processes to use multitrack magnetic sound. Bosley Crowther, "Apparently Solid Motion Pictures Produced by Curved Screen and Peripheral Vision.". [7] This normal frame-to-frame movement is typically imperceptible to cinema audiences where only a single projector is in use. Manuals for products offering this mode give no detailed explanation.
Cinerama is a widescreen process that originally projected images simultaneously from three synchronized 35mm projectors onto a huge, deeply curved screen, subtending 146° of arc. There were five speakers behind the screen, two on the side and back of the auditorium with a sound engineer directing the sound between the surround speakers according to a script. The original system involved shooting with three synchronized cameras sharing a single shutter. [clarification needed] The trademarked process was marketed by the Cinerama corporation. A forerunner was the triple-screen final sequence in the silent Napoléon (1927) directed by Abel Gance; Gance's classic was considered lost in the 1950s, however, known of only by hearsay, and Waller could not have actually viewed it. Combining sleek comfort and futuristic decor with breakthrough advances in motion picture technology, Cinerama opened just a year after the World's Fair came to town. Das Verfahren wurde öffentlich am 30.9.1952 mit dem Film This is Cinerama in New York vorgestellt; der Film lief 122 Wochen. Der Eröffnungsfilm war damals jedoch „nur“ ein normaler CinemaScope-35-mm-Farbfilm: „Roter Staub“ (The Brave One). The film, titled This is Cinerama, was received with enthusiasm.
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